This post details the story elements of the game and what happens at the end.
I ended up spending a lot of time on this game because I got so enveloped by the world and the story. It felt wrong to leave it unfinished and while it could be much more, I am simply glad that I was able to share this story in the end.
As you play through the game, you learn more and more about the world and what kind of a character King Redmond is. In his final moments (after defeating him in the final boss room), the player learns of Redmond’s intentions. While the blight was of his own creation, he sought to defeat it in order to save his kingdom. Blinded by pride and damned by the corruption, the Ravenswood would not accept him as a sacrifice in order to reverse the damage. This drives him mad leaving you one option. To kill him or to die from the blight. Soon after however, the player is given a choice: Take the throne, or sacrifice yourself to heal the blight and restore the kingdom. There is no consequence of either choice and this is because I want the player to decide what kind of a person they are. It surprised me to learn that all of my playtesters chose to take the throne and hold the responsibility to rule over a dying kingdom rather than give themselves in the hope that the corruption would end.
After more than a few long nights, I managed to complete my game. I added my boss fight at the end and created economy within my game using a stamina feature. I found a simple royalty free soundtrack on freemusicarchive and looped it through my game and I created a simple intro cinematic and control menu. The final game has very little in the way of bugs and is polished to a point that I am happy with. It is now time for me to create a 1 min game trailer using the intro cinematic and some game play footage.
I made these 3 painting for my intro and layered some text on top. While its not a fantastic intro, I am pleased with its short length and genre setting. I made sure it plays at the start so everyone has the chance to watch it and made it re-playable in the title screen.
I have been rather lax with my weekly game reviews as I have not been able to find the time to invest in playing the game to an adequate degree before forming an opinion on it. I have however played a good amount of hyperlight drifter which I will write my review on soon.
Once the game was finished I began using playtesters. Quickly I noticed that a lot of people would skip past the controls and this was a serious problem as the mechanics are complicated. I thought of ways I could resolve this and the decision I came up with was to change the order of menu items so that controls was first and play was second. These options are then followed by intro and quit.
The first level is possibly too difficult but I feel that it introduces the player to the mechanics very well, setting them up for the rest of the game. (provided they read the controls). Hossien actually played through the first level and while he was a little confused and possibly rushed, he did say that he enjoyed it. Despite not being able to attack.
Several people found the boss fight to be difficult but all of them managed to defeat it after a few goes.
Overall I think people found the game to be captivating but not necessarily challenging, with the exception of a few levels. I am happy with this result.
Protagonist: Marcus Lockhart
Dispatcher: Bishop Trest
Helper: Bishop Trest
Person Sought-for: King Redmond
Who is the protagonist?
The protagonist is Marcus Lockhart. As an orphan growing up in the slums of Ravenswood, Marcus had to steal and hide from the authorities to survive. One day, King Redmond sealed the slums off from the rest of the kingdom without notice or explanation. Seeking answers and a chance at freedom, Marcus finds a way past the wall, with the help of Bishop Trest.
What is the main conflict?
You start the game just outside of the walls of the slums on a mission to find King Redmond. Bishop Trest is with you and seeks the king as well although he seems nervous to travel through the kingdom on his own.
How is the conflict resolved?
Marcus uses what he has learnt growing up to make his way further towards the heart of the kingdom and to the great Ravenswood. This must be where King Redmond has gone.
What causes the tension to rise?
Soon after leaving the safety of the walls, Marcus discovers why the slums where sealed off. The kingdom is gone. The land is barren and those who inhabit it seem to be plagued by a mysterious blight.
What is the deciding factor that brings the story to a climax?
When Marcus enters the castle, he is attacked by King Redmond who has obviously gone mad. After retaliating, Marcus becomes aware of the blight effecting the king and puts the king out of his misery. In his last, sane words, the King pleads with Marcus to save the Ravenswood, which he corrupted with his own greed.
What happens in the resolution?
Marcus approaches the ravenswood, unsure of his role to play. He did not come here to save the kingdom for he has no love for it. Was this a chance for him to do something good in his life? To atone for his past wrongs? When he approaches the tree, he is given a second option. The chance to take the throne. To be given ultimate power and the remnants of a broken kingdom.
What elements of interaction can support each point?
The player is able to make the final decision and decide the fate of Marcus and Ravenswood.
How does interaction or gameplay cause dramatic tension to rise?
The increasing difficulty of the levels are meant to challenge the player, forcing them to struggle on the journey much like Marcus. The game music is supposed to counter this. With its calm tempo and minor tones, the music is supposed to reflect the story and slow the pace of the player as patience is a key part of gameplay.
What deciding factor in the game play brings the game to a climax?
The defeat of King Redmond
Is there a pivot point?
When Marcus realises that there is no kingdom left beyond the wall, he simply has more questions he expects the king to answer for. This also leads the moral decision of whether or not to save the kingdom and end the blight.
As your game becomes larger, so too does the chance for corruption. Game Maker tries to avoid this by backing up the game several times but in my case, the main backup was corrupted, and previous versions were too far back that it was not worth starting from there. So I stayed up late and re-made my whole game. Thankfully all of my artwork was intact.
Because one of the main mechanics in my game is stealth, I needed a way to accurately show your characters detection radius. I did this by adding in a dynamic lighting system. The light has several other uses as well. I ended up using it for path finding and for progression. I created levers in my game which destroy obstacles. I designed them to be braziers that you have to light.
When activated, the braziers light up and a flame appears on top. The obstacles in the room then disappear.
As the game progresses, its supposed to get harder. To represent this increase in strength for the enemy knights, I made corrupted versions of them.
This also gave me a chance to design my boss stages. A mechanic I intend to implement is a stage system for my final boss. This means that when the boss takes a certain amount of damage, his sprite will change and he will gain health. To keep this simple I only designed 3 stages for the boss.
I created my room backgrounds in stages. Each area has 3 rooms of increasing difficulty. The hardest part of this was creating continuity between these vastly different environments. The designs themselves however do not take long to create because of their simple design. Towards the end, I was able to create a background that I was happy with in around 45 min. As I create these environments, I am adjusting my backstory to suit. King Redmond left Ravenswood with his army of slaves in search of battle presumably. Marcus Lockhart sees this as an opportunity to infiltrate the ranks and finally put an end to king Redmond’s tyranny. However as soon as Marcus leaves the forest he sees the reality of the world outside Redmond’s walls. The outskirts are barren, plagued with demons and Redmond’s army is nowhere to be seen. Delving deeper, Marcus discovers a castle high in the mountains where he confronts the cursed Redmond.
Still to go are the final 3 level designs, including the boss room.
I started work on my animations mainly for clipping purposes. Some levels require the player to crouch under obstacles and as such, I needed to create a crouch animation. This movement is one of the most important in my game for two reasons; traversing terrain, and for sneaking past enemies. I plan on creating some code that will give my player a detection radius when he moves. To make this clear to the user I will have to create a system for showing the detection radius on screen, possibly on the HUD.
Using the crouch code I was able to create my own piece of code that allows the character to sprint. This increases the players move speed and changes the animation for walking to running.
Once I started coding my game I realized why pixel art is so popular. It is much easy for collisions and animations to work in this form. After completing my backstory, I began work on converting the drawings I made into pixel art. This was not a waste of time as I found the original drawings maintained proportions and poses very well. It may be necessary to create all of my animations and characters this way.
One particular trait I realised about this assessment is that all of the code will be more or less the same therefore the point of difference is reliant on game artwork and storytelling. I decided to set aside more time to focus on these 2 things.
I created a run animation for my character but I still need to create a simple 3-4 frame walk animation.
The paper play-test proved to be very helpful as I was able to explore several new mechanics that I wanted to put into my game. One of these being stealth. I was able to create a simple way to incorporate morality into the game but, I will still need to explain its premises with an intro sequence. This will also act as my trailer.
As with many of my creative projects, I lacked the interest required to develop my world into something that would reach my personal standards. Because of the shortening time frame however, I did not go so far as to change every element of my game. I kept my all of my artwork albeit, in a more updated versions. Below is the new version of my environment design.
Regardless of previous motivation problems, I am now moving at a good pace with relation to my game design. I have accepted that compromises must be made and thus I have lowered the detailing in favor of ‘the big picture’.
I decided to play to my strengths with regards to future artwork too. I based my game in a much more western medieval setting. This made things easier when it came to creating my villain and my mentor. Since the game that I will be creating is a simple design where the whole game does not necessarily be complete, I will use my villain as a final boss. My finished game should include at least one room dedicated to stealth mechanics and one boss fight.
You can watch my paper playtest here: https://youtu.be/GSXPczGTNsk
So what’s new?
Well, a lot has changed surrounding my game, most importantly, I now have a backstory that is gripping myself and motivating me to explore the curiosities within this world I have created. One of the hardest things I found when I created my game story was naming things including the game itself;
The game is set in a world where land is divided among rival kings. The people of the world live in poverty where the only escape from this life is joining the kings army. In the kingdom of Ravenswood King Redmond seeks to defeat his rivals with sheer numbers alone, devoting all resources in the kingdom to his army.
Previously a knight in the kings army Marcus Lockhart (you), fights to usurp the throne in order to save the people from the kings greed. However the role of a king is difficult and as you progress you find yourself harboring more and more people with resources stretching thin. How will you rule the kingdom after your quest for justice is complete?
Like many others before him, Marcus chose to serve the king over living in poverty but his conscious got the better of him in the end and chose to rebel against the king. He began his one man rebellion deep in the forest of Ravenswood.
In the land of Ravenswood it is the responsibility of the monks and bishops to train soldiers who prove themselves in battle and make them part of an order of elite knights belonging to the kings royal guard known as Outriders. Bishop Trest is one such monk who fled when king [Redmond] destroyed his monastery in a display of power.
King Redmond is perceived as a corrupt monarch, intent on expanding his empire and his legacy, but the reality is he is a fair king who felt that he had no other options. The land outside of the Ravenswood is a barren mountainous range with little to offer. It is Redmond’s belief that if he can secure lands in these areas and defend them against the demons that inhabit the lands, then he can provide a better life and a better future for his people. The means do not always justify the ends however.